Two New Impressionistic Cityscapes in Pastel
A quiet city and a noisy one; a solitary experience of the city and a congested one.
A quiet city and a noisy one; a solitary experience of the city and a congested one.
it was good to see a book on modern landscape painting that takes the genre seriously by serious artists, and as a still relevant topic for living professional painters.
This is the time of year, when I can no longer paint outside, I paint from photo references and memories of nature, as well as exploring ideas.
Here are four paintings I did in 2020, that had not yet made it onto the blog:
In the rain, the autumn colors pop, the backgrounds blur, and the mood is serene and moist.
Here are my notes from two well established landscape painters in pastel.
Here I have captured some of the more fleeting stages of spring in the landscape. What a wonderful season!
This paint looks especially good on pillows, yoga mats, and face masks. Check it out in my merchandise link!
While Jesus knew he was to be killed the next day, this is how he spent the evening before: loving, caring, and being an example of service.
I love hiking in Huntington State Park late it the day in the autumn when the shadows are long.
People wonder why I paint so differently than myself sometimes, so I explain that here.
I love how this scene expresses both peace and power.
This sunset from Deer Isle Maine happened a few years ago and I haven’t forgotten it.
Here is the first of a series of yearly retrospectives of my artwork and shows. This summarizes my art in 2017.
Here are my notes and the many photos I took during Deb Quinn-Munson’s three day workshop on the 80/20 rule of composition.
I had a good time ;painting both of these new autumn landscape paintings in pastel and enjoy their vibrancy.
This is the last assignment at this year’s Creative Arts Camp. We were to paint a still life with a view out a window.