Peter Joyce (Featured Artist)
I like Peter Joyce’s artwork, even though it has less value contract than I prefer. He makes me want to use more white tones in my paintings, which I definitely don’t usually gravitate to.
I like Peter Joyce’s artwork, even though it has less value contract than I prefer. He makes me want to use more white tones in my paintings, which I definitely don’t usually gravitate to.
I’ve been looking closely at the brambled thickets and bracken here in the late fall.
I share an appreciation with him for nature’s brambles and water reflections, and agree he does an exceptionally good job at both.
Take my Every Thought to Use is a line from a favorite hymn, and it is shown here with lots of thoughts and neural pathways, ready to jump forward and be of service.
Painting is certainly a great way of pondering the unknown.
I love a good abstract landscape and Mike Staniford is doing a great job of it.
It was fun painting this with its whimsy, gregarious splashiness, organic shapes with pops of color, like joyously blowing bubbles while singing and skipping.
Trying New Things (acrylic) by Polly Castor Here I am trying some new things in my artist journal. What do you think? Have you started one yet? Idle Thoughts (gouache) by Polly Castor Doubt (mixed media) by Polly Castor Loitering Again (acrylic) by Polly Castor
I highly recommend keeping an artist journal, It as a wonderful processing tool, and is so very sanity producing.
I really enjoy the mediative process of creating these small works.
I love the fact that desire is prayer itself. But how does one depict the abstract concept of desire?
I like thinking of these commissioned pieces making for a happy workplace.
This painting depicts the Autumnal Equinox, this time of year, when day and night are of equal length, and we pivot toward slowing down and recharging.
I absolutely love fugues and this painting is the next in my sound series.
Here are four paintings I did in 2020, that had not yet made it onto the blog: