My New Painting Archive Room
I am so grateful for this space to store work I’ve already made, keeping it out of the way from my current creative process, and making my office and studio so much nicer to be in!
I am so grateful for this space to store work I’ve already made, keeping it out of the way from my current creative process, and making my office and studio so much nicer to be in!
I was fascinated with the abstract quality of all this this texture on the tree bark, and I painted it larger than life to draw attention to what is too often overlooked or ignored.
Both of these are worshipful paintings, contemplative and centered in the ephemeral that is right here before us.
The world is blue at its edges and in its depths…
Photos from our visit with thoughts on Frankenthaler.
If you are too busy to paint, keep painting, just go smaller. Here are some recent examples of that from this month.
Here are four paintings I did in 2020, that had not yet made it onto the blog:
Sometimes our friends pass on too soon. I painted this to help me realize the bright abstract future they face.
The new highly textural painting of mine is quite large (28″x40″) and is done in mixed media: pastel, acrylic, and ink.
An abstract conceptualist work, “aggregate” means a gathering, a collection, a whole formed of disparate elements, a loosely compacted mass of fragments, unity among separate units, to form or group into a cluster, a sum total, an overall composite…
We’ve all experienced this. We are buzzing along just fine, and then just before a fork in the road, we get all confused and flummoxed about which way to go, and nothing seems clear, and we’ve got to decide, but there so much conflicting stuff going on, and… That’s what I painted in this new abstract conceptualist piece called Conundrum.
In this post, you can see some of my favorite work done this year, hear of the progress made and opportunities enjoyed, as well as my art goals for the coming year.
Announcing my huge one woman show displaying 83 paintings for the month of October in Southington, Connecticut!
Although not brought up to be religious or to have a doctrinal view of God, I regularly got this awesome sense of immensity, and light filled perspective from nature.
This painting of starlight reflected in the lagoon took longer to make than I thought it would, but it came out the way I hoped.
It has a lot of juicy, thick paint, so is very textured, as well as colorful and organic.
I had a blast doing this abstract expressionist painting. I like this one and caught the feeling perfectly.