Recalibrating (New Painting in Pastel and Ink)
A swirl of making mental adjustments, adjusting to external factors, assessing and abstractly adapting. That’s what’s being expressed here.
A swirl of making mental adjustments, adjusting to external factors, assessing and abstractly adapting. That’s what’s being expressed here.
To counter the oppressive darkness of the news, this new painting of mine refers to a phrase from Psalms 30:5: “weeping may endure for a night, but joy cometh in the morning.”
While praying about Venezuela, I remembered this unusual sunset looking south over the gulf of Mexico from Corpus Christi after our nephew’s wedding.
I have long adored the artwork of Janet Fish. I was saddened to hear of her passing last December, but proud of what she accomplished, by being true to what she was interested in and making a name for herself, especially when the way there was so steep for women. She was tenacious in following her vision, and consistent in working toward it.
I thought of expanding opportunities like the northern lights but more exaggerated and with complex light coming out of darkness. There are lots of reasons to believe in darkness and limitation these days, but light and effulgence always win out.
I painted this oil painting in my studio, even though I usually try to only paint oils outdoors. I’m loving some new oil painting stuff I bought with my Christmas money, and felt the urge, so I ventilated well and went for it anyway.
I love the reduction prints of Joshua Miles, which are astonishing in their detail and complexity.
Give this a try; it is a great way to warm up our creative juices for a new year.
Here are some competition painting that I enjoyed this year. Which one is your favorite?
I was thinking about the autumnal season of life, and how it is still glorious, interesting, strong, and dynamic – just gorgeous.
Love is comfortable and comforting, supportive, warm, exciting, fun, and divine. What a delightful thing to paint!
These paintings by Scandinavian artist Henrik Simonsen are evocative of places I’ve been, while still being abstract, experimental, and thrilling.
I am so very grateful to the Meetinghouse for hosting the show, and for all those that made the effort to come. Your interest and support are really appreciated!
I’ve been looking closely at the brambled thickets and bracken here in the late fall.
Will you give this process a try?
I got into putting down gooey gouache and oil pastel and then going over it with soft pastels which stuck into it so nicely.